The Photographer's Hat

ASMP Portrait taken at the
Strictly Business 3 Conference in
Chicago, April 2011.
Copyright 2011 Shawn Henry

The other day, I’d posted a new FaceBook profile picture of myself taken by a fellow photographer, Shawn Henry. It was a ¾ portrait taken in front of a white background and rendered into a black and white. The series was taken a few years back, but I asked and got permission to use the images for inclusion on things like my bio page on this blog and my website. FaceBook came later.

When my various friends saw the image for the first time (and it was the first time I used that particular image), I got the usual likes and positive comments. One stuck out: My friend and advanced amateur photographer from South Dakota, Jon “Fiskr” Larsen, mentioned that all I needed to be a photographer was a cool hat. (It is a nice looking hat, even if I say so myself.) There was the usual banter back and forth about how adding a hat instantly made a photographer and such. However, the comment got me to thinking about how much my broad brim hats are part of my photography kit.

When I started, film cameras were what we had. I had a basic SLR in my trusty Pentax K100. It was fully manual, and a work horse if there ever was such a camera. One of the foibles of pentaprism viewfinders, common in optical viewfinders like my K100, is that light can intrude from eyepiece and skew the exposure meter, making the meter read more light than there actually was coming in the lens. One simple trick to counter this is to wear a wide brim hat to eclipse the light coming in from behind you. So hats become part of my kit.

As the years rolled on, I also worked for the US National Park Service, with their famous “Smokey Bear” campaign hats. That cemented my liking for broad brim hats. I never liked the ever-present ball cap, common in the US, as they never fit my oblong head shape. Also, I didn’t like how ball caps allow my ears and the back of my neck to get sunburned. So, I was in constant search for broad brim hats that were durable, good looking and still functional to keep the sun, rain and light in control around my head.

A self-portrait while photographing in the "field,"
Olbrich Gardens in Madison, WI.
Copyright 2012 W. Clinton Hotaling

The hat pictured is one I got from Duluth Trading Company. It’s their “Albert’s Hat.” The hat is made from oiled cotton and has a fleece liner, so it’s a good winter hat for all but the most severe conditions. I have a variety of hats for summer months, but none of them are waterproof. However, they still fill the need for shade and blocking light.

My current digital cameras don’t have an optical viewfinder. They both use a two and a half or three inch LCD view screen, depending on the camera, for that purpose. The hat helps me see what on the screen in full sun. Without shade it’s almost impossible to read, something many smartphone users are finding out.

So, between the practical functions and stylish elegance, I wear hats and enjoy it. They are a permanent feature of my identity as a photographer.

Bringing Things Together

Edgewood Park and Pleasure Drive

A friend reminded me of some basic things that need constant, well, nagging: Practice, balance, responsibility and caring. I am notorious for being scattered, impulsive, often absent-minded, and usually procrastinating chores. However,...well, my accomplishments will have to wait for later.

There are times when a rather ephemeral idea keeps showing up in my head, and it's a good one, making me excited about it. The problem is the connections that led to that idea are fragile at best, so keeping that idea in mind isn't easy. What made it easier is a mild setback with my left knee.

As many of you know already, I've been fighting sciatica in my left leg, caused by a bulging disk in my lower spine and osteoarthritis in both knees. My recent weight loss has taken a lot of stress off of my joints, but the damage is done for my knees. Last October, my left knee "loosened" (my word, but it accurately describes the action) in the middle of a fencing bout and caused me to seek Urgent Care and physical therapy. The good news is that my knee should heal at least as good as it was last summer. The bad news is that I am more dependent on a cane for walking until the knee heals. I also have a lovely 20-30 minute twice-a-day (not counting swim work) exercise routine to rebuild the muscles around my knees and tighten up the joint. I also can't sit/stand/walk for more than a half hour before requiring a change in state. At least that gives me an excuse to refill my coffee or water while at the computer.

That was ten months ago.

The real joy is that the culprits are the cartilage pads (meniscus, menisci?) in my knees. They are best described as tattered. Beyond healing on their own. Come November, my left knee will be changed over to metal parts. The right knee, which was the bad one, should cruise on for years with a better leg to stand on the other side. With diligent physical therapy, I should be mostly restored to a pretty much normal life by early in the new year.

Meanwhile, I'm exploring more with my photography aided by new toy: the Pentax K-01. It's the less expensive mirror-less version of the K-5 I've been lusting after the last couple years. I'm having a lot of fun learning its quirks and how to manage my old (and the new two) lenses with it.

My lovely bride

Mattias and Seonag

The new tool is part of an experiment in portraiture. On the go: a 10x10 portable shelter, LOTS of blankets, even more spring clamps, a couple sheepskins, a couple stools, a bench and a handful of CFL and LED spot lights and a knowledge of stage lighting and away I went to two camping events photographing and printing portraits on site. I've yet to make back my investment, but this has proved interesting and fun!

Now that I'm taking portraiture at Edgewood College, I've already started to refine my techniques and strategies. I just need to keep developing my stable of models....

More next month. I promise!

Pending changes

Badger sculpture at Francis Street Mall on
State Street, Madison, Wisconsin

This is an exhausting and exciting time for me:

1) I've finally got the basics of doing a work flow of my digital pictures so that I don't lose them in the process. Now to process the previous six years or so of digitally rendered pictures on CDs stored in boxes below this desk.

2) I'm taking a new class at Edgewood College: Photojournalism taught by Linda Friend, a veteran freelance photographer. Already, in spite of the class mostly starting from scratch, I've learned a lot.

3) As I've mentioned, I've taken part of the DeForest Area Photographers' group. Hey, it's free and they fuel the creative juices. The picture at left is from the current project: State Street. I'll find out next week what the others saw and photographed.

There's more blog to come! I have to stop procrastinating and get my homework done.