There and back again.

Keeping it between the lines on the back highways.

Our niece's wedding is in October. This isn't much of a problem, but she lives in the Seattle area. My wife and I have a choice: Fly? Ride the Train? Drive?
If we fly, we'd take up little more than an extended weekend getting there, touring the area with my sister-in-law and her family and coming back. Rush. Rush. Rush.
If we take the train, it would definitely be an adventure. However, to do it properly would cost almost twice as much
as flying.
The third option is to drive. We'd bring the travel trailer and keep to the non-interstate highways. As a rule, they are far more interesting (like the views from the train). The truck would less stressed from avoiding the higher interstate speeds. Our mileage under tow is anywhere from 9-12 mpg at 55-60, depending on slopes and winds. Push it to 65 and that drops to 7-9 mpg. It does take longer, about five days out and five more back. But out of a 16 day vacation block, that leaves time to visit with family and a side trip or two to look up friends in Idaho and our first trip to Yellowstone National Park. It also would cost about the same as if we flew out to Seattle, rented a car and stayed in a hotel for a few nights.

You'll never know what you'll find on your
travels off the interstates. This dragon
made entirely of tires greeted
us off of US 18 in Iowa.

Another benefit to driving is that we won't need a puppy-sitter. The pooch can come with us just about everywhere except the wedding itself. We won't be able to eat at a lot of restaurants, but we like to do our own cooking in the
trailer, anyway.
Most times, the cost of a campsite with full hook-ups is far less than a hotel room (although we have been known to take advantage of a local hotel when there is a dearth of campsites).
We'll take separate routes out and back. We plan to follow US-2 from Minnesota all the way to Seattle. The plan is to follow I-90 as far as Livingston, Montana and then turn south for Yellowstone. From Yellowstone, the route will take us southeast to Cheyenne, Wyoming to pick up I-80 or parallel to it on US 30 for the return trip.
There are a bunch of interesting places on our routes. One is Deception Falls in Washington. It's a pretty place, but the falls themselves actually cross under US 2, making for a challenging picture like this one of Brownstone Falls in Wisconsin. We hope to be able to take in the Beartooth Highway on our way back if if it isn't closed due to snows when we get there.
I do look forward to the trip. Seeing my niece get married will be good, too.
Road picture: copyright 2013 W. Clinton Hotaling.
Dragon picture: copyright 2013 Mary A Hoffman, used with permission.

Accomplishments

Tinney S. Heath

Meet Tinney Heath. Tinney recently published a historical fiction book titled A Thing Done (a delicious read, by the way). Among the many fabulous things she is and does, she just happens to be one of my music mentors.

Way back in my college days, I was just getting involved in the living history club I still enjoy today, and wanted to make music. I really didn't know what I was in for, but after foisting myself as a beginning mandolin player into an established recorder band, Tinney and the other band members (the Jararvellir Music Guild) welcomed me and the challenge of incorporating a plucked string instrument into the voicing of a previously all woodwind ensemble.

It worked. The Bug bit me bad. As the members of the Guild ebbed and flowed with new jobs, spouses and opportunities, I managed to stick with it for three decades(!). I remain the only active member that dates to that time, jokingly calling myself the "Memory of the Guild" as I personally saw and did most of the things the Guild took part in over the years. Now, I lead the remnants of the Guild with the hopes for a dance ball performance this upcoming May. More on that later.

Soon after I joined the band, Tinney became the Guildmistress. I learned a lot under her leadership, including the fine art of herding cats. (You don't drive cats toward something; you put something they want at your desired destination.) Unfortunately, she and her equally talented husband (Timothy, also a Guild member at the time) burned out dealing with what amounted to a lack of respect. I still don't blame them for not wanting to deal with it anymore. They became active in another music club, the Winds of Wisconsin. As the years wore on, keeping in touch became almost isolated incidents.

Fast forward to last year: Facebook, that time and attention consumer, helped Tinney find me, and we resumed our friendship on a quiet basis. This autumn as part of my coursework at Edgewood College I started doing photographic portraiture and needed models. What better place to rally/bully my friends to sit in front my camera than an announcement on Facebook? Among the respondents, Tinney had just found out she was to be published and volunteered in exchange for something that can be used for her publisher's website and the dust jacket of the book. Deal.

Now a copy of Tinney's smiling face and another portrait of her among her instruments adorn her publisher's website. Happy customers and a happy photographer make a good pairing.

Among the things I learned from my friend and mentor is the idea that it's okay to push my boundaries, better the status quo and don't give up something you believe in.

Thanks, Tinney!

The Nature of Business

I have a day job, since I'm just getting started in the photography business and still need to eat and keep a roof over my head. We can't afford to live on just my or my wife's income by themselves, so I need to keep working there. I'm also realistic about my expectations; my wife even more so. I like to dream a bit (and spend money on what she calls "toys"), while she reigns in my fantasies with conditions for making the purchases. There's a little friction here, but this arrangement keeps our debts manageable.
For example: While I'm well aware that good photography is 95% the photographer and 5% the equipment, I do want to upgrade my camera with the idea of getting the ability to compete or simply having the respect of my clients. I have a perfectly respectable film SLR camera, which is great for art photography, and I have usable digital cameras that can cover about 90% of the situations I envision using a camera. The problem with the film camera is turnaround time for the clients, something that digital processes have shortened considerably. Turnaround time for film was made worse by the dearth of local film processors in my area. I can still get them done, but not the same day anymore. My old processor now takes a week or more just to bring me back the negatives! For my own projects that isn't an issue since I take time to scan the negatives and manipulate them as I need to, and I seldom have hard deadlines for my own projects. Most clients aren't willing to wait a week for the finished product, much less proofs.
The DSLR in question will run me $1400-$1700, and that's just the body. I can get a lower quality one for around $900 (It's the immediate predecessor.), but the upgraded one shows more longevity in usability. Also with a good unit, I'll be able to turn around projects often the same or next day for a client. I can even shoot high definition video. Fortunately, I have a good set of lenses that will fit this body, which suit my style of shooting. (I prefer manual focus over autofocus because I've found the autofocus will often enough home in on something that isn't my subject. It's one less thing to fight.)  Having the lenses already will save me more money than the camera itself in the long run. Most professionals will say, "It's a good investment, why haven't you bought it already?"
Good question. The answer is the condition for purchase compromised between me and my wife: I must have a job in the photography field or I need it for a class. And I'd better REALLY need it for that class. Understand that we're self-financing this business plan, and any money I spend is to be relevant in the moment. So, it's good that my wife keeps me in check. Less debt and fewer expensive dust collecters that way.
So, back to the day job. Needless to say, it isn't as a photographer, photographer's assistant, nor photojournalist. Like most creative types (I do include myself in that select group.), I chafe a bit from time to time working for a corporation even though I own stock in that corporation. The stress is getting worse lately, with communication conflicts with my supervisor and staff reductions and added responsibilities. I understand that a great many companies are having to work this way, but with customer service oriented businesses like retail stores, you need enough people to be there for the customers, not just physically but without distractions as well. I can go on and on about balancing the needs of your customers with the abilities of your employees and the profits your executives and investors make, but I don't have time to write that tome.
Let's just say that the stress is giving me impetus to jump-start my own business.
I also realize that working as a photographer can be a difficult way to make not very much money. Ah, but there is the satisfaction of the well-crafted image. There is also the coolness factor of the positive feedback when I show my product. That helps pay my emotional bank account. I know I'll never be financially wealthy, but the riches of a good body of work, and the satisfaction of creation goes a long, long way.
For a while at least, I'll keep the day job. When business picks up, I'll go to part time with it.
Image: DeForest Tracks (c) 2011 W. Clinton Hotaling